رابط الفيديو كاملاً على اليوتيوب:
أمر عمل علبة العصير على ChatGPT:
an ultra realistic 16:9 advertising image of a 1 liter mango juice packأمر عمل فيديو إعلاني سينمائي لعلبة العصير فقط:
Transform the provided product image into a premium cinematic commercial shot. Place the product on a dark reflective stone surface with controlled mist, soft volumetric light, elegant highlights, and a subtle moving shadow in the background. Use a slow camera push-in and shallow depth of field. Preserve the exact product shape, logo, label, colors, materials, and proportions. Do not redesign the packaging. No extra text and no additional products.برومبت عمل إعلان UGC بإستخدام الشخصية التي قمنا بإعدادها على Gemini Omni Flash و علبة العصير التي أنتجناها في ChatGPT. يجب إرفاق الشخصية و صورة المنتج مع الأمر:
Create an authentic horizontal UGC ad featuring a UGC Character presenting the provided product to the camera. The creator should feel friendly, confident, and natural, not like a professional model. Film in a realistic modern apartment using handheld smartphone framing, soft window light, natural skin texture, subtle facial expressions, and casual body movement. Keep the exact product design, logo, label, colors, and proportions unchanged. Avoid distorted fingers, unreadable text, excessive skin smoothing, and artificial commercial lighting. The UGC ad is in Egyptian Arabic. Do not use music.تغيير مشهد الإعلان إلى مشهد ليلي:
غير إضاءة المشهد لإضاءة ليلية سينمائيةإعلان UGC بإستخدام شخصية ماجد. يجب إرفاق شخصية UGC.
ماجد يقف في مطبخ مصري و يقول: و دي طريقة عمل شخصيات ال UGC بإستخدام Gemini Omni و يا رب تنال إعجابكمعمل قطعة الشيكولاتة بالفسدق على ChatGPT:
a realistic chocolate bar with pistachioإعلان UGC طولي شيكولاتة بالفسدق:
فيديو UGC بكاميرا محمولة باليد, ماجد لابس تي شيرت برتقالي و واقف في المطبخ بيقطع طماطم و خيار علشان يعمل سلطة و بعدين بيسيب السكينة و بيمسك حتة شيكولاته موجودة قدامة و الموجودة في الصورة المرفقة و بيقربها للكاميرا و هو بيقول: مهما الواحد حاول يعمل دايت مبيقدرش يقاوم الشيكولاتة و خصوصاً لما تبقى بالبيستاشيو.مشهد معمول بشخصية ماجد و هو بيقوم بتجميد المشهد:
10-second ultra-photorealistic cinematic time-freeze sequence with an ARRI Alexa Mini look, 50mm lens, natural daylight, strong shadows, shallow depth of field, subtle film grain.
The scene opens at the busy Khan El Khalili in Cairo Egypt in full motion, captured in a front-facing steadicam shot tracking backward as a man walks calmly toward camera through a natural flow of pedestrians while pegions cross the bright sky above.
Without breaking stride, he casually raises his hand and snaps his fingers.
Instantly, a bright spherical shockwave erupts from his hand, with visible air distortion and refracted light, expanding rapidly across the environment, freezing dust and debris mid-air, locking pedestrians in place mid-motion, and suspending birds mid-flight. Everything falls into complete stillness and silence, with fine particles hanging in the sunlight.
The camera continues gliding backward as he walks through the frozen world. He subtly studies the frozen environment around him, then looks directly into the camera and says:
“ و ده مشهد تاني تم عمله ب Gemini Omni “.
As he finishes speaking, he notices a frozen kid with striking blonde hair in a yellow shirt and jeans shorts. His hair is suspended mid-motion as she holds a large pink cotton candy. He approaches her, briefly studies the frozen moment, gently removes the cotton candy from her hand, takes a playful bite, then carefully places it back in the exact same position.
He then turns back toward the camera, raises his hand again, and snaps his fingers. A more powerful spherical shockwave bursts outward, rapidly spreading across the pier and reversing the effect. Motion instantly resumes-pedestrians continue walking naturally, birds scatter into flight, the woman carries on completely unaware while still holding the cotton candy, suspended debris falls naturally to the ground, and the full ambient sound of the pier returns.
He pauses for a brief beat, gives a subtle knowing smile, then continues walking forward, gradually blending into the crowd while the camera keeps tracking backward, maintaining distance as he disappears into the flow of people.
Ultra-realistic physics, cinematic VFX, seamless time-freeze transitions, volumetric lighting, realistic shockwave refraction, natural human motion, perfect object continuity, Hollywood-level visual effects, highly detailed.تغيير المشهد في الفيديو الأصلي
Maintain the person from the original video. Change the background to Fouad Street in Alexandria, Egypt, at night. The street should have vintage architecture, glowing street lamps, and a late-night urban atmosphere. Ensure the lighting on the person is adjusted to blend seamlessly with the nighttime city environment while keeping their performance and camera framing identical.تغيير المشهد بترانزيشن
Keep the person in the video completely unchanged — their pose, movement, performance, facial expressions, and timing must stay exactly as filmed, with no alterations at all. In a single smooth transition, replace only the background environment behind them: dissolve the beach scenery into Istiklal Street in Istanbul — a busy pedestrian street lined with ornate 19th-century European-style buildings, shopfronts, and cafe awnings, with the iconic red nostalgic tram passing along its tracks in the middle of the street, and a stream of pedestrians walking in both directions. The transition itself should happen as one continuous, fluid morph — no jump cuts, no flicker, no multi-stage build — with the new environment settling into place naturally as if the camera had simply been repositioned onto that street. Match the lighting, shadows, and reflections on the person to the new setting so they sit believably within the scene. Do not change the subject's own voice, movement sounds, or performance audio in any way — keep that audio track exactly as it was recorded. Only the ambient background sound should update to match Istiklal Street: distant chatter, footsteps of the crowd, and the tram's bell and rolling wheels, blended naturally under the person's untouched audio.إضافة رائد فضاء على مشهد حقيقي
Keep the person, the chair, and the camera framing exactly as they are in the original clip — no change to their pose or performance. Have a figure in a full vintage-style deep-space astronaut suit slowly wade out of the ocean behind them, as if just arriving from the sea instead of space: water streams off the suit and visor, the boots sink slightly into the wet sand with each heavy step, and the suit's fabric and joints move stiffly and realistically. The astronaut walks a few steps onto the sand, then simply stands still, facing out toward the horizon. Keep lighting and reflections on the suit consistent with the natural sunlight in the scene. Audio: natural waves plus a subtle mechanical breathing/suit sound, no music.عمل مقدمة بلوجو متحرك. يجب إرفاق اللوجو مع الأمر:
Logo animation with a complex movement for a WOW effect. The background is a blurry video of Muslim families walking in an amazing garden, with the men wearing casual clothes like shirts and trousers instead of traditional Arab Gulf attire. Use the provided logo as the central element.برومبت تغيير الخلفية و الملابس و تغيير علبة المايك. يجب إرفاق الفيديو الأصلي مع صورة تي شيرت منتخب مصر:
غير الخلفية لستوديو تصميم احترافي, غير التي شيرت منتخب مصر لكرة القدم الموجود في الملف المرفق, غير بوكس المايك لبوكس فيه ألماظبرومبت VFX , تغيير المشهد و تغيير اليد ليد ميكانيكية مضيئة, يتم التغيير على فيديو تم تصويره و يجب إرفاقة مع الأمر:
غير الخلفية لمقدمة سفينة ركاب, يدي اليمنى تتغير تدريجياً ليد ميكانيكية عضلية و أجزاء منها مضيئة و التغيير بيحصل بشكل تدريجية عندما تمر اليد اليسرى على اليد اليمنى و بتحصل في نفس الإتجاه. غير التي شيرت اللي لابسها لتي شيرت بيضاء نظيفة.برومبت تغيير النظارة, يجب إرفاق فيديو مصور:
غير موديل النضارة كل ثانية. احتفظ بنفس الحركة و الإضاءة.عمل مؤثرات بصرية بالنار و الثلج على فيديو مصور:
put in one palm of my hand a fireball and in the second palm a snow ball then the subject claps so that fire and snow hit each other and form a magical explosion.تحويل صورة لفيديو مكون من المكعبات, يجب إرفاق صورة مع البرومبت
turn me into a lego character waving hi at the camera and saying in Egyptian Arabic "السلام عليكم و رحمة الله و بركاته, معاكم أحمد شفيق" , don't say anthing extra. keep the baclgrpund as it is, keep the lighting as it is.أمر عمل صور فارس مصري من المماليك على ChatGPT
a realistic and detailed image of an Egyptian Mamluk knight with his full gear and armorأمر عمل ملف وصف لشخصية الفارس المملوكي على ChatGPT
create a 16:9 character sheet for the Mamluk Knight عمل ستوري بورد للفارس المملوكي على Gemini Omni Flash
Create a visual storyboard for a Mamluk Knight 3D infographic video as a SINGLE IMAGE arranged in a 3x2 grid layout (3 columns, 2 rows).
GRID LAYOUT INSTRUCTIONS:
- The image must be a single composite image divided into a 3x2 grid of 6 equal panels.
- Panels are numbered 1-6, left to right, top to bottom.
- Style: 3D cinematic realism, dark charcoal backgrounds, warm ochre and amber lighting, clean infographic UI panels with Arabic text.
- Character: Mamluk Knight in 13th-century armor (lamellar steel and chainmail).
Frame 1: Establishing the knight in a Heroic pose in a 3D dark void, glowing text 'المماليك'.
Frame 2: Fast orbital close-up on the steel helmet, data panel showing historical origins.
Frame 3: Low angle action shot of drawing a curved Mamluk Kilij sword with a 'Power: 95/100' stat panel.
Frame 4: Snap-cut to the knight drawing a composite bow, warm amber lighting.
Frame 5: Wide shot with silhouettes of the knight performing 'Furusiyya' drills (spear, mace).
Frame 6: Fast pull-back shot of the knight silhouette standing over a 3D map of Egypt.
Maintain a consistent historical 3D style and moody charcoal/ochre palette across all panels. Reference image 1 for armor and color style.Create a visual storyboard grid for two additional scenes for the Mamluk Knight 3D infographic video. 2 panels arranged horizontally.
GRID LAYOUT INSTRUCTIONS:
- The image must be a single composite image divided into a 1x2 grid of 2 equal panels.
- Style: 3D cinematic realism, dark charcoal backgrounds, warm ochre and amber lighting, clean infographic UI panels with Arabic text.
Panel 1: 3D architectural reconstruction of a Mamluk Bimaristan (hospital) with a grand dome and archway. Technical UI callouts in glowing ochre highlight architectural details like 'Ablaq Masonry'.
Panel 2: Final Epic Outro. A Mamluk knight on a rearing Arabian horse, silhouetted against a massive glowing ochre sunset. The text 'تاريخ لا ينسى' is centered in metallic gold.
Maintain the consistent 3D style and charcoal/ochre palette from the first storyboard and the original reference image.عمل مقطع الفيديو الأول للفارس المملوكي:
Generate a single, seamless 3D infographic video in Arabic about the Mamluk Knights in Egypt, following the provided storyboard sequence.
STYLE: 3D cinematic realism, dark charcoal reflective backgrounds, warm ochre volumetric lighting. Clean, modern floating UI panels with Arabic text.
SEQUENCE:
1. Fast zoom into a Mamluk Knight in a dark void. Text: "المماليك.. النخبة العسكرية".
2. Sudden snap-cut/orbital rotation to the steel helmet. UI panel: "النشأة والتأسيس".
3. Fast motion: Knight draws a curved Kilij sword. Stat panel: "القوة: 95/100".
4. Sudden camera cut to drawing a composite bow.
5. Spinning wide shot showing silhouettes of the knight in various combat drills (Furusiyya).
6. Fast dolly-out/pull-back to an extreme long shot of the knight silhouette over a 3D map of Egypt.
MOTION: Very fast, sudden, and clean camera movements between frames. High-fidelity 3D textures.
AUDIO/VOICE: Deep, authoritative Arabic narration. Sound of sword drawing and fast camera swooshes.
VISUAL REFERENCE: Match the armor, dark palette, and modular panel style from the reference images.عمل مقطع الفيديو الثاني:
Generate a 3D infographic video in Arabic for the final two segments of the Mamluk series.
1. Architectural Legacy (Bimaristan): Fast 3D orbital rotation around a grand Mamluk archway and dome. Dark charcoal stone textures with glowing ochre technical UI callouts highlighting 'البيمارستان المنصوري' and 'العمارة المملوكية'.
2. Final Epic Outro: Fast dolly-out to a wide shot of a Mamluk knight on a rearing Arabian horse, silhouetted against a massive, glowing ochre sun on the horizon. Dust particles whipping across. Metallic gold text 'تاريخ لا ينسى' appears in the center.
STYLE: 3D cinematic realism, dark charcoal/ochre palette. Fast, sudden, and clean camera movements. Deep, authoritative Arabic narration style. Match references for armor and architectural style.عمل فيديو ٣٦٠ درجة من صورة. يجب إرفاق الصورة مع الأمر
Cinematic 360-degree camera orbit around the man while he is talking. Dimly lit office with purple and orange ambient lights. Photorealistic, smooth camera movement.